A Process Evolves...
Photo: Crop of my ruined touch drawing...Saturday...
It's been an interesting day - well, weekend as well. I spent Thanksgiving alone this year, by choice. I had 4 offers to enjoy the day with family or friends, but I really wanted, selfishly, to be alone. I needed the solitude and had been looking forward to being alone the entire weekend, no schedule, no place to be, no must-dos.
So figure drawing this morning was the only thing I had planned ahead of time. The model called and was going to be a little late, so the other artists suggested we each take turns modeling. One person went up for 3 poses, then another, then they suggested I go next. eeks... me? next? um... I have no experience... So the time came. I stepped up on to the model stand, feeling very present and aware of all the eyes in the room were on me. On my body. Scribbling, spashing, dribbling, etching, brushing, caressing. I actually kind of liked it, it was, after all, slightly erotic, but to contribute to the artistic world giving my physical body to the artistic process. The bare naivite of the moment... oh, now, keep your undies from getting into a bundle, I was fully clothed... gasp, I couldn't imagine being naked. I thought about taking my shirt off, but then the REAL model showed up... whew...


(Those of you seeking a more male side of the perspective, you're outta luck, I was the only male model today...)
So my process still has me hung up on proportion, but it's coming along. I spent the day in the creative zone. I went shopping for art supplies after class, then went to the beach and drew people playing in the sand, some volleyball players and a couple of kids who JUST HAD to have me draw them. Tonight I'm experimenting with a process called batik. I'm having fun playing, distraction-free!

Sunday
I think about the time Tia and I have spent apart and reflecting back, I wish I had weathered the storm a little better. I know I did what I felt what I needed to do at each and every moment, but I don't feel like I was very brave, or took the experience with any kind of "warriorship." My training in the Sacred Martial Arts in the past 7 years seemingly fell apart on me. All that hard work and discipline and I couldn't handle this separation, I couldn't imagine if something tragic actually happened. Maybe that is the lesson here? I'm sorry if you've had to endure my whining and moaning about our situation. I know next time it will be different - let's hope there is no next time. This whole experience has left me feeling weak. I still have my weak moments, but I'm moving through them now, easier in that I think I'll be seeing Tia here sooner than she would see me there. That is some relief, but I have to question, who am I? What was all that about? What did I learn about myself? What do I need to change about myself? In some ways I feel I have learned some things about myself but not like I'm a better person for the experience, but a better person for knowing how all of that affected me.
So today I'm teaching myself batik, a wax-resist technique traditionally known for creating patterns on fabric. I'm using it on watercolor paper with colored india inks. I saw the technique in a book and I'm finding I am learning more by doing than what the two pages of brief descriptions in the book are telling me. I bought beeswax, a tjangting, the inks and paper yesterday. I started to experiment last night. Of course, just as I am melting wax in a ladel to transfer to the tjanting the phone rings. I jump, wax goes EVERYWHERE and all down my hands (ouch). To add insult to injury, no one was on the line when I got there and I was left with more of a mess than I bargained for. I didn't know how difficult it is to get beeswax off of surfaces until this morning. I spent two hours cleaning it up. But now I know better, it is a much easier process simply melting the wax right in the tool, and quite handy, they might have mentioned that in the book! (and I think I've completely ruined one of my touch drawings "experimenting"... oh well, I knew this would happen, calculated losses I guess.)
I'm also finding today, as I go through my drawings, I have more work that I can keep up with. I want to document the good pieces and set aside the not-so-good. I also want to work up some of the good ones into paintings and further studies, but there are so many. I can't keep track of all of them much less find the time to work them up... the body of work is overwhelming... Then there are the ideas yet to be brought to life... Photos, professional web and print design work, illustrations and touch drawings. So much work, how does one keep track of all of it? Any suggestions? It's enough work to fill several hundred pages of a website...
Anyway, hope you enjoy the rest of the week!
b








